《冰刀》该片讲述什么样的故事情节？
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
1、《冰刀》在那一年上映发布的？
《冰刀》是翁贝托·伦齐于1972年拍摄上映面向大众的一部精彩。这部片开创了其它这个时代的先河，《冰刀》在上映时，它完全符合“票房稳稳居于国内外前三，创下当年播放记录”的特征，并且深刻地定义了一个时代。在那个时代卡罗尔·贝克,艾伦·斯科特均为最佳演技实力派，卡罗尔·贝克,艾伦·斯科特凭借精湛的演技与惊艳的个人形象，奠定在其它影视的大咖地位。卡罗尔·贝克,艾伦·斯科特饰演角色在完播后依然被大众模仿。翁贝托·伦齐之前曾被观众怀疑过演技能力，而《冰刀》却奠定翁贝托·伦齐别样风格。《冰刀》国外首映时曾获和媒体广泛报道，被认为其优秀程度，是完全能与同时期（指1980年代）好莱坞优秀齐名。
2、被称为的巅峰之作的《冰刀》，是翁贝托·伦齐最好的作品之一吗?
从翁贝托·伦齐斩获最佳导演奖,我就觉得这部《冰刀》是他最好的。虽然翁贝托·伦齐后来还拍出来了8分评价，但是《冰刀》是他的经典作品之一。
3、《冰刀》为什么能成为巅峰之作？
提起其它，大众肯定会想到《冰刀》的名字。这部由翁贝托·伦齐导演，卡罗尔·贝克,艾伦·斯科特主演的《冰刀》，它当年堪称一匹不折不扣的黑马，在一片不看好中硬生生杀出了一条血路，最终创造了一个奇迹。若问为何能取得如此成就，我想，就连翁贝托·伦齐导演和卡罗尔·贝克,艾伦·斯科特，都没想到这部会得到这样好的反响。翁贝托·伦齐老师曾说过，这是一群失意的人凑到一起创作出来的一部巨品。因为在《冰刀》拍摄之前，卡罗尔·贝克,艾伦·斯科特已经有多年无戏可拍，而卡罗尔·贝克,艾伦·斯科特主演的，票房始终不见起色，现实冰冷刺骨。这样几个失意的人能聚在一起，倒像是命运开的一个玩笑。但也正是这份浸入骨髓的失意，与他们誓死守护的最后一点自尊，构成了所有故事爆发的原点。他们在中投入的激情，是我们无法想象的，其实《冰刀》中的人物心理历程和感人的剧情，何尝不是现实中人们无赖的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力成就了这部经典，也成就了他们自己！
4、媒体如何评价《冰刀》?
《冰刀》口碑好同时又深受广大观众喜爱，《冰刀》一经播放立刻引来关注，不仅卡罗尔·贝克,艾伦·斯科特演的好而且该故事情节也非常紧凑，51影视网（www.aucompany.org）观看起来特别流畅同时还能扣人心弦，即使目前《冰刀》收视率不佳但是该片目前受欢迎程度已经蒸蒸日上。该主演卡罗尔·贝克,艾伦·斯科特，她在该中的演技可圈可点，受到卡罗尔·贝克,艾伦·斯科特演的好而且该迷的认可。
5、《冰刀》的主要内容
《冰刀》是一部，由导演：翁贝托·伦齐执导，主演：卡罗尔·贝克,艾伦·斯科特，
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
6、《冰刀》是翁贝托·伦齐导演的一部经典的恐怖其它片大全，该剧讲述了：This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also，想看更多的相关影视作品，请收藏我们的网站：www.aucompany.org
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
